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Galería Travesía Cuatro Photos & Videos on Instagram

@travesiacuatro   Contemporary art gallery located in Madrid (SP), Guadalajara (MX) and Mexico City (MX). Location/visiting hours in highlights.

1 week ago

A few shots of #TeresaSolar ’s work in the group show ‘El hecho alegre. Una mecánica popular de los sentidos’ curated by Tania Pardo at @lacasaencendida The exhibition will remain on view until January 5th.

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1 week ago

Happiest birthday to #SaraRamo 💛 Her exhibition ‘lindalocaviejabruja’ is on view at @museoreinasofia curated by its director Manuel Borja-Villel. It will remain on view until March 2, 2020 at the Sabatini Building as part of the Fisuras Program. Also, her solo show ‘La caída y otras formas de vida’ is on view at Sala Alcalá 31 and it will remain on view until November 3rd.

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1 week ago

#Teresasolar and #JorgeMendezBlake will be part of the group show ‘Collecting Practices: 25 Years of Itinerarios’ at @fundacionbotin opening on Saturday, October 12th. The exhibition will remain on view until November 8th, 2020. Image: Teresa Solar. ‘Night Canopy’. 2015.

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3 weeks ago

#AlexandreEstrela 's solo exhibition ‘Um Mês Acordado’, curated by Gerard Faggionato is now on view at INDIPENDENZA, Rome 💫 It will remain on view until November 8th! ___ A common element in #AlexandreEstrela ’s exhibition record, is that the titles are not what they seem. "Acordado", one of the words in the title, carries a double meaning in Portuguese. It means both being awake and something that has been agreed, thus, the title can either be understood as ‘One Wakeful Month’ or ‘One Month Agreement’. But why are these two ideas bridged in Portuguese? Is the awakening in itself an agreement with reality? Is sleep a breach of contract with the real? ‘Um Mês Acordado’ uncovers the cognitive abilities of the sleepless viewer, interrogates perception of reality and in a way, mirrors the gaze of someone permanently stuck in a wakeful state. The exhibition tells the accounts of an insomniac, through simple experimental filmmaking techniques, that set ”perceptive traps" triggering entoptic lights and undesirable tinnitus, an hallucinatory outer-body experience close to the so-called prisoner's cinema. The exhibition is anchored in two fundamental ideas: that chronic restless nights can bring clairvoyance and that there is a universal score embedded in most contemporary music. For this behaviouristic experiment it was agreed that INDIPENDENZA will remain open 24 hours a day, 7 days a week for a period of one month, presenting insomniac art pieces to a restless public. Images and sounds that will haunt the viewer to a point where illusions become concrete. The exhibition has the support of Fundação Calouste Gulbenkian, Paris; Galería Travesía Cuatro, Madrid; ZDB, Lisboa

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3 weeks ago

‘Alighiero e Boetti e Mario e García Torres’ is now on view at Travesia Cuatro CDMX! You can visit the exhibition until November 15th, 2019. 💫 — In collaboration with @_josegarciamx Check our highlights for opening hours and location!

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1 month ago

#MarioGarciaTorres arranging Alighiero Boetti’s ‘Arazzis’ during the install of the exhibition ‘Alighiero e Boetti e Mario e Gracía Torres’ at #TravesiaCuatroCDMX which is opening this Saturday, September 21st. Don’t miss it! 💫

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1 month ago

#SaraRamo : “Hasta la fantasía tiene una instancia política” por @bea_espejo en @el_pais. Hoy #SaraRamo inaugura su exposición ‘La caída y otras formas de vida’ comisariada por Claudia Rodríguez-Ponga en Sala Alcalá 31 a las 8:00 PM 💫

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1 month ago

This weekend, #AlexandreEstrela presents his installation "Metálica" as part of the programme O MUSEU COMO PERFORMANCE at @fundacao_serralves Auditorium in Porto. The piece will be accompanied by performances of Gabriel Ferrandini at different times on Saturday 7th and Sunday 8th of September. Image: "Metálica", Video projection on screen / sculpture, 2018. Sound: original soundtrack by Gabriel Ferrandini

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1 month ago

#AsuncionMolinosGordo forma parte de la exposición colectiva “Mesuras" en la Fundacion Cerezales comisariada por Jorge Blasco Gallardo, que podrá visitarse hasta el 17 de noviembre. Asunción Molinos Gordo presenta su proyecto "Conocimiento No Vulgar”, con el que busca visibilizar los procesos de producción e investigación campesinos frente a los procesos dominantes de la legislación y la ciencia que dejan fuera tradiciones como la radiestesia zahorí, un método rural consistente en encontrar agua o corrientes electromagnéticas con la ayuda de un péndulo, varas de avellano o de metal. Imagen: Asuncion Molinos Gordo, ‘Conocimiento No Vulgar’, MESURAS, Fundación Cerezales.

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